Aimé-Jules Dalou (; 31 December 183815 April 1902) was a 19th-century French sculpture, admired for his perceptiveness, execution, and unpretentious realism.
Early life
Born in Paris to a working-class family of Huguenot background, he was raised in an atmosphere of secularity and Republican socialism. He was the pupil of Jean-Baptiste Carpeaux, who sponsored him for the Petite École (future École nationale supérieure des arts décoratifs), where he sympathized with
Alphonse Legros and
Fantin-Latour.
[ Maurice Dreyfous, Dalou, sa vie et son œuvre, Paris, Laurens, 1903, p. 3 (Online)]
In 1854, he attended the École des Beaux-Arts de Paris in the François-Joseph Duret classroom. He combined the vivacity and richness of Carpeaux, for "he was, technically, one of the most distinguished modellers of his time",[Kenneth Romney Towndrow, "A Note on the Portrait Busts of Jules Dalou" The Burlington Magazine 90 No. 545 (August 1948, pp. 234-235) p 234.] with the academic insistence on harmonious outlines and scholarly familiarity with the work of Giambologna, Pierre Puget, Peter Paul Rubens and others.
Career
Dalou first exhibited at the
Paris Salon in 1861,
[ Henriette Caillaux, Aimé-Jules Dalou, L'homme - L'œuvre, Paris, Delagrave, 1935, p. 124, although Chisholm 1911 puts this at 1867.] but he made no secret of his working-class sympathies. His politics obstructed his career under the Second Empire: he was repeatedly refused the Prix de Rome that opened sculptors' careers to future official commissions. He started to work for decorators, and through this work met
Auguste Rodin and began their friendship.
[ Gustave Coquiot, Rodin à l'Hôtel de Biron et à Meudon, Ollendorff, Paris, 1917, p. 109. (Online)]
He made a quiet living providing decorative sculpture for the structures that lined Paris's new boulevards and providing wax models for jewelry. He married Irma Vuillier, a partnership that sustained him throughout his life. They had one daughter, Georgette, who was mentally handicapped and required constant care. Dalou's Daphnis and Chloe shown at the Paris salon of 1869, was purchased by the State.
Having identified himself too publicly with the Paris Commune of 1871, as curator at the Musée du Louvre under Gustave Courbet, he took refuge in England in July 1871, staying at first with his friend the painter and engraver Alphonse Legros. He rapidly made a name through his appointment teaching at the South London Technical Art School and the South Kensington School of Art, also in London. He was convicted in absentia by the French government of participation in the Commune, and given a life sentence.
English exile
In his eight-year English exile, Dalou's association with City and Guilds of London Art School, the National Art Training School
[ Maurice Dreyfous, Dalou, sa vie et son œuvre, Paris, Laurens, 1903, p. 70 (Online)
] and the artists of the
New Sculpture movement laid the foundation for new developments in the post-classical British school of sculpture. He also recommended his friend and colleague Édouard Lantéri to move from France to England. At the same time Dalou executed a remarkable series of terracotta statuettes and groups, such as
A French Peasant Woman and
The Reader; a series of
Boulogne-sur-Mer women, such as
A Woman of Boulogne telling her Beads;
and a series of informal terracotta portrait busts of friends and acquaintances, rarely signed. He was commissioned to produce the large public fountain called
Charity, erected at the back of the Royal Exchange (1878), and for
Queen Victoria a monument to two young granddaughters in her private chapel at
Windsor Castle (1878).
Return to France
He returned to France in 1879, after the declaration of amnesty, and produced a number of masterpieces. His great relief of
Mirabeau replying to Dreux-Brézé illustrating an encounter of 23 June 1789, which was exhibited in 1883 and later at the
Palais Bourbon, and the highly decorative panel
Fraternity were followed in 1885 by
The Triumph of Silenus. For the city of Paris he executed his most elaborate and splendid achievement, the vast monument,
The Triumph of the Republic, erected after twenty years of work in the Place de la Nation, showing a symbolical figure of the Republic, aloft on her car, drawn by lions led by Liberty, attended by Labour and Justice, and followed by Abundance. It is somewhat in the taste of the Louis XIV period, ornate, but with a forward thrust to the ensemble and exquisite in every detail.
Within a few days, his great Monument to Alphand (1899), which almost equalled the success achieved by the Monument to Delacroix in the Luxembourg Garden, was inaugurated.
The last of his works, cast posthumously, were a statue of Lazare Hoche in Quiberon (1902), the Monument to Gambetta in Bordeaux (1904), the Monument to Émile Levassor (1907) and the Monument to Scheurer-Kestner (1908) in Paris.
Dalou, who was awarded the Grand Prix of the Exposition Universelle (1889), was made a commander of the Legion of Honor. He was one of the founders of the Société Nationale des Beaux-Arts, and was the first president of the sculpture section.
Death and legacy
Dalou died in Paris on 15 April 1902, aged 63, and was interred in the Cimetière du Montparnasse in Paris. His auction record, set at Sotheby's on 21 May 2014 is £362,500
[ 19th and 20th Century sculpture sale, Sotheby's] for
Boulonnaise Allaitant Son Enfant (a young mother from Boulogne feeding her child).
Other works
-
Antoine-Laurent Lavoisier, National Gallery of Scotland 1866
-
Funerary monument to Auguste Blanqui, Père-Lachaise, 1885
-
Monument to Victor Noir, Père-Lachaise, 1891
-
Monument to Léon Gambetta, Bordeaux, completed after his death by Camille Lefèvre and installed in 1904
-
Bust of Alfred Roll, ca 1895, terracotta model for the monument to Jean-Charles Adolphe Alphand, Paris, Musée du Petit Palais
-
Fame, 1886, bronze, Bayonne, Musée Bonnat
-
National Museum of Serbia
-
Seating Male Figure, bronze, c.1885
-
Musée d'Orsay, Paris
-
Femme nue lisant dans un fauteuil, bronze, 1878
-
Grand Paysan, bronze, 197 x 70 x 68 cm
-
Liseuse, vers 1875, bronze
-
Couseuse
-
Travailleur debout tenant une bêche, bronze
-
Tonnelier avec des cordes, bronze, for a projected Monument to Labour
-
Rebatteur de faux, bronze, for the Monument to Labour
==Images==
See also
-
Maurice Dreyfous, Dalou, sa vie et son œuvre, Paris, Laurens, 1903
External links
